Wed, 24th September • 1 note
Eugen Matthias (1931)
Lothar Rübelt - Dorothy Poynton plongeant d’un tremplin (ca. 1935)
Jindřich Štyrský (1934)
inneroptics:

Erich Consemüller 
Carl Strüwe - Agrégation précoce de cellules épidermiques humaines (1948)
Take sides. Neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented.

— Elie Wiesel (via dangerouswitnesses)

(Source: officialteamgreen)

Sun, 21st September • 113,128 notes
André Kertész - Le nageur sous l’eau (1917)
Varvara Stepanova - Soldats de l’Armée rouge (1930)
inneroptics:

Painter Alexander Shevchenko. Double Exposure 1924 Alexander Rodchenko
inneroptics:

Xanti Schawinsky
obscureandoffbeatcinema:

The Whip and the Body (Mario Bava, 1963)
We can never be gods, after all—but we can become something less than human with frightening ease.

N.K. Jemisin, The Hundred Thousand Kingdoms 

(Source: larmoyante)

Thu, 18th September • 8,939 notes
Erwin Blumenfeld - Sans titre (Hitler) (1933)
Brassaï - Nude (ca. 1932)